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Battleship Yamato : Of War, Beauty and Irony
The Battleship Yamato, of the Imperial Japanese Navy, was the most powerful warship of World War II and represented the climax, as it were, of the Japanese warrior traditions of the samurai – the ideals of honour, discipline and self-sacrifice that had immemorially ennobled the Japanese national consciousness.Stoically poised for battle in the spring of 1945 – when even Japan’s last desperate technique of arms, the kamikaze, was running short – Yamato arose as the last magnificent arrow in the imperial quiver of Emperor Hirohito. Here, Jan Morris not only tells the dramatic story of the magnificent ship itself – from secret wartime launch to futile sacrifice at Okinawa – but, more fundamentally, interprets the ship as an allegorical figure of war itself, in its splendour and its squalor, its heroism and its waste.Drawing on rich naval history and rhapsodic metaphors from international music and art, Battleship Yamato is a work of grand ironic elegy. "The short, illustrated book Morris has written about the Yamato is what she calls 'a reverie' on the varied emotions that war summons up…I think it's safe to say that Morris has also written a reverie on accepting the inevitability of death… This book itself signals yet another end: Certainly, it will be one of the very last books written about World War II by an author who saw active service in that war.That sobering fact only adds to the elegiac resonance of this magnificent little book." - Maureen Corrigan, NPR's Fresh Air. Published to coincide with the 80th anniversary of the sinking of Yamato (7 April 2025).
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War Against War!
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War Pur War
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War and War
Winner of the 2015 Man Booker International Prize War & War begins at a point of danger: on a dark train platform Korim is on the verge of being attacked and robbed by thuggish teenagers.From here, we are carried along by the insistent voice of this nervous clerk.Desperate, at times almost mad, but also keenly empathic, Korim has discovered in a small Hungarian town's archives an antique manuscript of startling beauty: it narrates the epic tale of brothers-in-arms struggling to return home from a disastrous war. Korim is determined to do away with himself, but before he commits suicide, he feels he must escape to New York with the precious manuscript and commit it to eternity by typing it all out onto the world wide web.Following Korim with obsessive realism through the streets of New York (from his landing in a Bowery flophouse to his move far uptown with a mad interpreter), War and War relates his encounters with a fascinating range of people in a world torn between viciousness and mysterious beauty. Following the eight chapters of War & War is a short 'prequel acting as a sequel', 'Isaiah', which brings us to a dark bar, years before in Hungary, where Korim rants against the world and threatens suicide.Written like nothing else (turning single sentences into chapters), War & War affirms W.G. Sebald's comment that Krasznahorkai's prose far surpasses all the lesser concerns of contemporary writing.
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Was the Korean War a proxy war or a civil war?
The Korean War was a proxy war, as it was fought between the communist-backed North Korea and the capitalist-backed South Korea, with support and involvement from other major powers such as the United States, China, and the Soviet Union. The conflict was not solely an internal struggle within Korea, but rather a larger geopolitical struggle between the two opposing ideologies of communism and capitalism. The involvement of outside powers and the global implications of the war make it more accurately described as a proxy war rather than a civil war.
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What does the term "war front" and "home front" mean in relation to the Second World War?
During the Second World War, the term "war front" referred to the physical locations where military engagements were taking place, such as battlefields, occupied territories, or areas under attack. On the other hand, the term "home front" referred to the civilian population and activities within a country that were directly or indirectly supporting the war effort, such as manufacturing weapons, rationing resources, and providing medical care for wounded soldiers. The distinction between the war front and home front highlights the dual nature of warfare during World War II, where both military and civilian efforts were crucial for achieving victory.
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What do the terms "war front" and "home front" mean in relation to the Second World War?
During the Second World War, the term "war front" referred to the physical locations where military engagements and battles were taking place, such as the battlefields in Europe, Asia, and Africa. On the other hand, the term "home front" referred to the civilian population and activities that were happening within their own countries to support the war effort, such as rationing, working in factories to produce war materials, and participating in civil defense measures. The distinction between the war front and home front highlighted the different roles and experiences of soldiers and civilians during the war.
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Is the First World War a modern war?
Yes, the First World War is considered a modern war due to the use of advanced technology and tactics that were unprecedented at the time. The war saw the introduction of new weapons such as tanks, airplanes, and chemical warfare, which changed the nature of warfare. Additionally, the scale of the conflict involving multiple countries and resulting in millions of casualties marked a departure from previous wars in terms of its global impact and devastation. Overall, the First World War is seen as a turning point in military history towards modern warfare.
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When The War Came Home
WINNER: Wales Book of the Year 2023A STIRRING HISTORICAL MYSTERY SET IN THE AFTERMATH OF THE FIRST WORLD WAR, FROM THE AUTHOR OF THE VALLEY OF LOST SECRETSThe First World War has ended, but it hasn’t gone away.When Natty has to move to a new village, she meets two young soldiers who are still battling the effects of war and shellshock. Her cousin Huw can’t forget the terrible things he’s seen, but another young soldier Johnny doesn’t even remember who he is.Natty wishes she could get through to Huw and is desperate to help Johnny recover his memories but what can she do that the nurses and doctors haven't already tried?Meanwhile Natty is fighting her own battles - protesting to get the local authority to help the schoolchildren who can't afford a midday meal.As she gets embroiled in the cause, and in trying to help the young soldiers, she starts to unravel a mystery.Natty knows that - just as Jonny and Huw did - she must fight for what she believes in, and she learns that some things should never be forgotten …This mesmerising historical mystery includes an interactive clue so readers can unravel the mystery alongside the characters.Highly commended for the Young Quills Award 2023. 'A heartfelt, hopeful tale of the human spirit's incredible ability to recover' - Emma Carroll
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My War Is Your War
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Aspect Tumbler Home from the War
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Plundering Beauty : A History of Art Crime during War
The roll-call of wars down the centuries is paralleled by an equally extensive narrative of the theft, destruction, plundering, displacement and concealing of some of the greatest works of art during those conflicts - a story that is expertly told in this original publication. From the many wars of Classical Antiquity, through the military turning points and detours of the Fourth Crusade, the Thirty Years’ War, Revolutionary and Napoleonic France, the First and Second World Wars, and then onwards to the ongoing contemporary conflicts in Afghanistan and Iraq, the history of art crime in times of war contains myriad fascinating and often little-known stories of the fate of humankind’s greatest works of art. Plundering Beauty: A History of Art Crime during War charts the crucial milestones of art crimes spanning two thousand years.The works of art involved have fascinating stories to tell, as civilisation moves from a simple and brutal 'winner takes it all' attitude to the spoils of war, to contemporary understanding, and commitment to, the idea that our artistic heritage truly belongs to all humankind.
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What is the motto of Wallenstein: "War feeds war" in the Thirty Years' War?
The motto "War feeds war" reflects the strategy of Wallenstein, a prominent military leader in the Thirty Years' War. It suggests that the continuation of war is necessary for its sustenance, as it provides resources, power, and opportunities for those involved in the conflict. This motto encapsulates the idea that war perpetuates itself, creating a cycle of violence and destruction. Wallenstein's approach to warfare was characterized by aggressive tactics and a focus on maintaining and expanding his military influence, making this motto a fitting representation of his approach to the conflict.
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How did the Second World War turn from a European war into a world war?
The Second World War turned from a European war into a world war primarily due to the expansionist policies of Nazi Germany and Japan. Germany's invasion of Poland in 1939 prompted Britain and France to declare war, drawing in their colonies and allies from around the world. Japan's aggressive actions in Asia, such as the invasion of China and the attack on Pearl Harbor in 1941, further escalated the conflict by involving countries in the Pacific and Southeast Asia. The alliances formed between the Axis powers and the Allied powers also contributed to the global nature of the war, as countries from different regions joined the fight on either side.
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From when is a war considered a world war?
A war is considered a world war when it involves multiple countries from different regions of the world. Typically, a world war is characterized by large-scale military engagements, significant global impact, and alliances between multiple nations. The term "world war" is often used to describe conflicts that have a widespread and profound impact on the international community, affecting economies, societies, and politics on a global scale.
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What is the Korean War as a proxy war?
The Korean War was a proxy war because it was fought between the communist forces of North Korea, supported by China and the Soviet Union, and the capitalist forces of South Korea, supported by the United States and other Western powers. The conflict was essentially a battleground for the larger ideological struggle between communism and capitalism during the Cold War era. Both sides used Korea as a proxy to advance their own interests and ideologies without engaging in direct conflict with each other.
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