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  • Self Image
    Self Image

    This book brings together for the first time monochrome self-portraits taken by Ninagawa intermittently since early in her career, with her photographic series noir (2010), the artist's ground-breaking look at the dark side of contemporary society, and PLANT A TREE (2011), images of cherry blossoms scattered on the surface of rivers.This book was made in conjunction with her recent exhibition at the Hara Museum of Contemporary Art in May, 2015.

    Price: 33.00 £ | Shipping*: 0.00 £
  • The Biblical View of Self-Esteem, Self-Love, and Self-Image
    The Biblical View of Self-Esteem, Self-Love, and Self-Image

    Who am I? Why am I here? Where am I going? Familiar questions in our day and age. But has our search for answers led us too far in the wrong direction: away from our true position in Christ and toward a dangerous emphasis on self?Recent decades have seen the rise of a powerful and influential movement within the church.Identified by labels such as “self-image,” “self-esteem,” “self-worth,” and “self-love,” this movement has one common denominator—the emphasis on self.Regardless of religious persuasion, everyone seems to be fighting what they perceive to be a shared enemy: low self-esteem. Now well-known biblical counselor and noted author Jay Adams brings much-needed clarification to the area of self-esteem and offers the church and every believer a truly biblical view of self.

    Price: 12.25 £ | Shipping*: 3.99 £
  • Who is in? : Beyond Self-image
    Who is in? : Beyond Self-image

    Who is in? is for all spiritual seekers who encounter the basic questions of identity: Who am I?, Who is in? or What is the nature of I? Using the Zen Buddhist koan - a paradox to be meditated upon - ‘Who is in’ as a door to discovering the true self and pure subjectivity, this book provides examples and understandings, techniques and invitations to experiment with self-inquiry.

    Price: 13.99 £ | Shipping*: 3.99 £
  • Jourdan's Journeys : A Dragonfly's Journey to Strong Self-Esteem & Self-Image
    Jourdan's Journeys : A Dragonfly's Journey to Strong Self-Esteem & Self-Image


    Price: 17.99 £ | Shipping*: 3.99 £
  • What is the meaning of self-image and external image?

    Self-image refers to how an individual perceives themselves, including their beliefs, values, abilities, and characteristics. It is the internal view a person has of themselves. External image, on the other hand, refers to how others perceive an individual, including their appearance, behavior, and reputation. It is the external view that others have of a person. Both self-image and external image can influence a person's self-esteem and interactions with others.

  • What is the difference between self-image and external image?

    Self-image refers to how an individual perceives themselves, including their beliefs, values, and personal characteristics. It is the internal view of oneself. External image, on the other hand, refers to how others perceive an individual, including their appearance, behavior, and reputation. It is the external view of oneself as seen by others. While self-image is based on one's own thoughts and feelings, external image is based on the perceptions and judgments of others.

  • What is the difference between self-perception and self-image?

    Self-perception refers to how an individual views themselves based on their own thoughts, feelings, and behaviors. It is the internal understanding of oneself. On the other hand, self-image is how an individual perceives themselves based on external factors such as feedback from others, societal standards, and comparisons to others. Self-image is more influenced by external factors, while self-perception is more about one's internal beliefs and attitudes about themselves.

  • What has led to a destroyed self-image after years of using beauty filters?

    Years of using beauty filters can lead to a destroyed self-image because they create an unrealistic standard of beauty that is unattainable in real life. Constantly seeing oneself with flawless skin, enlarged eyes, and slimmed features can distort one's perception of their own appearance. This can result in feelings of inadequacy, low self-esteem, and a reliance on filters to feel attractive, ultimately damaging one's self-image.

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  • Self/Image : Technology, Representation, and the Contemporary Subject
    Self/Image : Technology, Representation, and the Contemporary Subject

    Including over 100 illustrations from mainstream film to independent film, video art, performance and the visual arts, this important and original book explores how technology has affected artists' abilities and forms to express themselves. From analogue photography to more recent artistic practices including digital imaging, performance robotics and video installations, Self/Image is one of the first full length studies to investigate the complex relations among these diverse artistic practices. This will make an excellent companion to studies of contemporary art history, and media and cultural studies in the post-1960 period.

    Price: 31.99 £ | Shipping*: 0.00 £
  • Julius Caesar's Self-Created Image and Its Dramatic Afterlife
    Julius Caesar's Self-Created Image and Its Dramatic Afterlife

    The book explores the extent to which aspects of Julius Caesar’s self-representation in his commentaries, constituent themes and characterization have been appropriated or contested across the English dramatic canon from the late 1500s until the end of the 19th century.Caesar, in his own words, constructs his image as a supreme commander characterised by exceptional celerity and mercifulness; he is also defined by the heightened sense of self-dramatization achieved by the self-referential use of the third person and emerges as a quasi-divine hero inhabiting a literary-historical reality.Channelled through Lucan’s epic Bellum Civile and ancient historiography, these Caesarean qualities reach drama and take the shape of ambivalent hubris, political role-playing, self-institutionalization, and an exceptional relationship with temporality. Focusing on major dramatic texts with rich performance history, such as Shakespeare’s Julius Caesar, Handel’s opera Giulio Cesare in Egitto and Bernard Shaw’s Caesar and Cleopatra but also a number of lesser known early modern plays, the book encompasses different levels of drama’s active engagement with the process of reception of Caesar’s iconic and controversial personality.

    Price: 31.99 £ | Shipping*: 0.00 £
  • Positive Body Image Workbook : A Clinical and Self-Improvement Guide
    Positive Body Image Workbook : A Clinical and Self-Improvement Guide

    This clear and easy-to-use workbook provides clinicians, clients, and those interested in self-improvement with a practical guide to understanding and improving body image through the latest research findings and clinical tools.The key components of positive body image, such as embodiment, body appreciation, self-care, intuitive eating, social comparison, and body talk, are all covered, with reliable assessments and guidelines for applications accompanying each topic.An array of assignments are also included for clients and readers to complete based on their values, needs and interests to provide positive body image.Clinicians will appreciate the practical treatment planning sections (including talking points for sessions, goals and objectives) to assist in clinical interventions.Additionally, a specific chapter is devoted to how clinicians can prepare themselves both professionally and personally for body image work.Access to downloadable assignments available at: www.cambridge.org/PBIW

    Price: 26.99 £ | Shipping*: 3.99 £
  • Fashion, Identity, Image
    Fashion, Identity, Image

    How has the fashion industry responded to turn-of-the-millennium non-binary identities?Do they have a supportive or exploitative relationship with queer, trans and ageing subjects?Fashion, Identity, Image unpacks these questions and many more in relation to clothing and representation, identity and body politics in British, European and American culture between 1990 and 2020.Jobling, Nesbitt and Wong explore issues of intersectionality and inclusivity through groundbreaking shows, including Maria Grazia Chiuri’s ‘We Should All Be Feminists’ catwalk show for Dior (Spring-Summer 2017), Alexander McQueen’s ‘The Widows of Culloden’ collection (Fall-Winter 2006), and the role of transgender models such as Oslo Grace since 2015.Looking to the future of our relationship with fashion, there's also an investigation of the android as a redemptive figure in Alessandro Michele’s cross-cultural cyborg collection for Gucci (Autumn-Winter 2018/2019) and the impact of the ageing population with analysis of age and memory in work such as Magali Nougarède’s Crossing the Line (2002), and pleasure and morality in fashion publicity since the 1990s for the likes of Calvin Klein, D&G and American Apparel.

    Price: 22.99 £ | Shipping*: 3.99 £
  • Where does a false self-image come from and what is a healthy self-image related to?

    A false self-image can come from a variety of sources such as societal expectations, past experiences, or negative influences from others. It is often rooted in distorted perceptions of oneself that do not align with reality. A healthy self-image, on the other hand, is related to self-acceptance, self-awareness, and self-love. It involves having a realistic and positive view of oneself, acknowledging strengths and weaknesses, and being comfortable in one's own skin.

  • Where does a false self-image come from and what does a healthy self-image depend on?

    A false self-image can come from a variety of sources, such as societal pressures, past experiences, or negative feedback from others. It can also be influenced by comparing oneself to unrealistic standards portrayed in media or by others. A healthy self-image, on the other hand, depends on self-acceptance, self-awareness, and self-love. It is cultivated through positive self-talk, setting realistic goals, surrounding oneself with supportive people, and focusing on one's strengths and accomplishments.

  • What is the difference between self-perception and self-image perception?

    Self-perception refers to how we see ourselves based on our own thoughts, feelings, and behaviors. It involves our internal understanding of who we are. On the other hand, self-image perception is how we believe others see us. It is influenced by external factors such as feedback from others, societal norms, and cultural expectations. In essence, self-perception is about how we view ourselves, while self-image perception is about how we think others view us.

  • What is the difference between self-image, self-esteem, and identity?

    Self-image refers to the mental picture one has of oneself, including physical appearance, abilities, and personality traits. Self-esteem is the overall opinion one has of oneself and the value one places on oneself. It is the evaluation of one's worth and abilities. Identity, on the other hand, is the sense of self that includes one's values, beliefs, and experiences, and how one sees oneself in relation to others and the world. It is a more complex and multifaceted concept that encompasses one's self-image and self-esteem.

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